I tripped over Atom
Egoyan’s film Where the Truth Lies via a Netflix recommendation. I was massively disappointed. The film stars Kevin Bacon and Colin Firth as
a 1950s comedy-singing duo, who break up under mysterious circumstances after a
dead girl is discovered in the hotel suite they are about to check into. The point of view character is a young
journalist who idolized them when she was a small child, and is writing a
biography of one of them in the 1970s. It
wants to be a film noir mystery, but can’t quite get its act together to do
so. Fortunately, the credits note that
the source material is a novel by Rupert Holmes (who you know for “The Pina
Colada Song” and the plays Drood and
Accomplice), and the novel is everything the movie should have been. It's a send-up of Tom Wolfe-style “new
journalism” and provides the full story of our intrepid girl journalist chasing
down the reasons for the team’s break up, their sexual predilections, the quirks
of their entourages, and surrounding oddness.
It is a fully formed story, rather than the cartoon Egoyan attempted to
get past the censors at the MPAA. We
have a real whodunit plot with murder, blackmail, suicide, mistaken identity, and several interesting switchbacks in the
path. This is the story I would have
expected from Holmes, who, in Accomplice,
was a subtle and sneaky storyteller.
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