Tampopo

Contrast The Ramen Girl with Jûzô Itami's 1985 masterpiece Tampopo, which is a brilliant, layered comedy. A truck driver happens upon a noodle shop operated by a widow. The widow is not a very good noodle chef but the truck driver agrees to help her improve. Her story is interleaved with other lovely comedic scenes involving food: a gangster gourmet and his beautiful girlfriend make sexual adventure in a hotel out of room service, a matron teaches debutantes to eat western style; executives can't read the French menu they're handed and are shown up by the office boy. Meanwhile, our cowboy truck driver and the noodle-cooking widow go on a quest to learn what how to make her better. They spy on other shops in the neighborhood, sneaking looks at their garbage. They are aided by a very wealthy patron whose life they have saved, not with the Heimlich maneuver, but with a vacuum cleaner. When they find the Ramen Master he's not in a limousine, but in a hobo camp among other epicureans, who wax poetic about the state of the dumpsters of various famous restaurants. In the end, of course, our heroine learns to make excellent ramen, her restaurant is successful, and the truck driver can ride off into the sunset.